{"title":"Lost Art Press","description":"","products":[{"product_id":"essential-woodworker-robert-wearing","title":"Book - \"The Essential Woodworker\" By Robert Wearing","description":"\u003cp\u003e\"The Essential Woodworker\" is a recreated cloth covered hard bound publication in a 6\" x 9\" format, containing more than 500 hand drawn illustrations from the post-Charles Hayward era. The author Wearing, takes the reader through building furniture, and gathering the skills in the process. \n\u003cbr\u003eUsing the skills taught from this book gives the user the understanding of how apprentices of the era learnt their trade showing how they learnt to build tables, doors, carcases, dovetailed drawers, plinths, etc.\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815256375571,"sku":"B-0578060446","price":62.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-0578060446_1.jpg?v=1705990646"},{"product_id":"the-anarchists-tool-chest-christopher-schwartz","title":"Book - \"The Anarchists Tool Chest\" By Christopher Schwarz","description":"\u003cp\u003eLost Art Press have republished another classic with the “The Anarchist’s Tool Chest” by Christopher Schwarz, is printed and bound in the United States on acid-free 60# paper. The 6” x 9” hardcover is Smythe sewn and covered in linen, with 494 pages including a full index. \n\u003cbr\u003eIt shows the relationship a craftsman has with his tools, and describes how the collectio9n of typically no more than 50 tools can create masterpieces that last generations, regardless of their vintage or manufacturer. \n\u003cbr\u003eThis is a real must for anyone wanting get in touch with traditional woodworking or someone who wants to understand why they have a connection with their tools.\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815256408339,"sku":"B-0578084138","price":104.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-0578084138.jpg?v=1702617563"},{"product_id":"by-hand-and-by-eye-george-walker-jim-tolpin","title":"Book - \"By Hand \u0026 Eye\" By George R. Walker \u0026 Jim Tolpin","description":"\u003cp\u003eThis has to one of the best books available that shows the almost forgotten way to do traditional furniture making and joinery. Nine projects are covered towards the back of the book, that use the techniques covered, these projects are not out of the reach of many woodworkers, and give the know-how and skill to competently proceed further in woodwork. \n\u003cbr\u003eThis is a beautiful book comprising of 200 pages with full-colour illustrations printed on heavy #80-pound matte coated paper. It is casebound and sewn so it lasts a long time. \n\u003cbr\u003eAnyone who wants to product fine furniture or understand the design principles should have this apart of their library. \n\u003cbr\u003eBy George R. Walker \u0026amp; Jim Tolpin\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815256736019,"sku":"B-0985077754","price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-0985077754_1.jpg?v=1705990661"},{"product_id":"the-art-of-joinery-joesph-moxon-christopher-schwarz","title":"Book - The Art of Joinery - Revised Edition","description":"\u003cp\u003e“The Art of Joinery” was the first book published by Lost Art Press. It was out of print and unavailable for several years until we released this revised edition in the fall of 2013. Here is what the revised edition contains:\n\u003cbr\u003e1. The lightly edited text of Joseph Moxon’s landmark work on joinery – the first English-language text on the topic. We took Moxon’s 17th-century verbiage and removed the long “s” characters, broke up his run-on sentences and added a few words here and there (in brackets) to help the modern reader digest the text more easily.\n\u003cbr\u003e2. Modern commentary on every one of Moxon’s sections on tools and techniques by Christopher Schwarz. Chris has amplified the text with photos that demonstrate many of the processes that Moxon discusses, such as processing stock by hand and cutting mortise-and-tenon joints. And Chris has explained the historical context behind many of Moxon’s explanations, sometimes supporting his conclusions; sometimes taking issue with them. In this revised edition, Chris has expanded some of his commentary and revised some assessments based on new information.\n\u003cbr\u003e3. Each section is published with the relevant illustrations embedded in the text. In the original edition, the plates were separate from the text. We have put them together to make it easier for you to read.\n\u003cbr\u003e4. We have published the original plates in their entirety so you can see how the tools were arranged on the page.\n\u003cbr\u003e5. We have included the complete and unedited original text from the 17th century. This text includes all the antiquated characters, inconsistent spellings, free-form italics and capital letters and run-on sentences. We have painstakingly reset the entire text in a 17th-century style typeface called “Fell.”\n\u003cbr\u003e6. And we have added an appendix of select plates from André Félibien’s “Des principes de l'architecture, de la sculpture, de la peinture…“ (1676), which pre-dated Moxon’s work and is probably the source of many of Moxon’s drawings.\n\u003cbr\u003e“The Art of Joinery, Revised Edition” is 168 pages and – like all Lost Art Press publications – printed and bound in the United States. The book is hardbound and covered with a dark-blue cloth. The interior of the book is notched and casebound for durability. The book has natural-colored endsheets and the book’s pages feature a rough exterior edge (sometimes called a \"deckle\" edge), like early books.\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815256834323,"sku":"B-0985077778","price":48.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-0985077778_1.jpg?v=1705990664"},{"product_id":"doormaking-and-window-making-anonymous","title":"Book - \"Doormaking and Window Making\" Anonymous Author","description":"\u003cp\u003eDoormaking and Window-Making by Lost Art Press is s step by step guide explaining to someone with no technical knowledge how to build both doors and windows. The author explains the process from the view of a joiner at a point when automation was coming in, and the skills to do these jobs were about to be lost. Lost Art Press take a book that has been out of print, possibly for decades, and professionally scan and reproduce the drawings and photos, in an attempt to minimise the loss of those hand skills that have been lost with atomisation. Many of these skills have been lost since WW11, and Lost Art Press are helping woodworkers to salvage these skills and knowledge. \"Doormaking and Window-Making\" is a hardbound book with 176 pages measuring 114mm wide x 184mm high. It is casebound, sewn and features acid-free paper, and like all Lost Art Press books, \"Doormaking and Window-Making\" is printed and bound entirely in the United States. By Anonymous\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815256867091,"sku":"B-0985077785","price":59.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-0985077785.jpg?v=1702617571"},{"product_id":"campaign-furniture-christopher-schwarz","title":"Book - \"Campaign Furniture\" By Christopher Schwarz","description":"\u003cp\u003eFor almost 200 years, simple and sturdy pieces of campaign furniture were used by people all over the globe, yet this remarkable furniture style is now almost unknown to most woodworkers and furniture designers.\n\u003cbr\u003e“Campaign Furniture” seeks to restore this style to its proper place by introducing woodworkers to the simple lines, robust joinery and ingenious hardware that characterize campaign pieces. With more than 400 photos and drawings to explain the foundations of the style, the book provides plans for nine pieces of classic campaign furniture, from the classic stackable chests of drawers to folding Roorkee chairs and collapsible bookcases.\n\u003cbr\u003eIn addition to all that, “Campaign Furniture” contains the first English-language translation of André-Jacob Roubo's 18th-century text on campaign pieces, plus original drawings of dozens of pieces of British campaign furniture culled from original copies of the Army \u0026amp; Navy stores' catalogs.\n\u003cbr\u003eBy Christopher Schwarz\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815256899859,"sku":"B-0985077792","price":89.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-0985077792-7.jpg?v=1705990671"},{"product_id":"calvin-cobb-radio-woodworker-roy-underhill","title":"Book - \"Calvin Cobb - Radio Woodworker!\" By Roy Underhill","description":"\u003cp\u003e\"Calvin Cobb - Radio Woodworker!\" is likely to be the first ever Woodworking Novel. A screwball comedy set in 1937, the story follows a woodworker who heads the U.S. government's agricultural \"Broadcast Research\" division. Calvin works alongside 4 women (all injured in WWI) who are interested in developing the world's first supercomputer while Calvin is more interested in woodworkingand in particular the female host of the radio program \"Homemaker Chats.\" How best to woo her? With a radio show: \"Grandpa Sam's Woodshop of the Air!\" which becomes an overnight success. Can Calvin and his friends save the world through woodworking, one listener at a time? Perhaps but first theyll have to save themselves from Nazis, the FBI, bureaucracy and wooden legs breaking at inopportune times. Includes measured drawings for 4 projects that are essential to the books plot.\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815256932627,"sku":"B-0990623021","price":29.2,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-0990623021.jpg?v=1705990670"},{"product_id":"chairmakers-notebook-peter-galbert","title":"Book -  \"Chairmakers Notebook\" Written \u0026amp; illustrated by Peter Galbert","description":"\u003cp\u003eLost Art Press's \"Chairmaker’s Notebook\" is an indepth look at chair making by Peter Galbert who has developed his techniques over a 15 year period. Chair making is the pinnacle of furniture making, so whether you are experienced or a beginner, this will guide you through the processes needed to get the outcome desired. Featuring more than 500 hand drawn illustrations across 406 pages the Lost Art Press \"Chairmaker's Notebook\" is produced entirely in the United States. Its text is printed on heavy #80 matte 215mm x 280mm paper, and its signatures are sewn together and then bound in cloth tape to last several lifetimes. The book is hardbound, covered in cloth and a heavy full colour dust jacket.\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815257194771,"sku":"B-0990623038","price":109.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-0990623038.jpg?v=1702617571"},{"product_id":"virtuoso-tool-cabinet-and-workbench-donald-williams","title":"Book - \"Virtuoso\" The Tool Cabinet and Workbench of Henry O. Studley By Donald C. Williams","description":"\u003cp\u003eIn \"Virtuoso: The Tool Cabinet and Workbench of Henry O. Studley\", H.O. Studley managed to fit 250 handtools into a dovetailed cabinet no larger than 254mm x 990mm x 495mm, this cabinet created a vast amount of interest from just one photo. A piano maker, Studley was a master craftsman whose work was featured in the Smithsonian before disappearing into a private collection. This book covers \"How did he build it, and how does it work? And even, why would anyone construct such a monument to his tools\"? In this book you will find measurements, details and photographs of all the tools in the cabinet. Every swinging frame, hinged panel and nook of this three-dimensional, multi-layered sculpture has been analysed so you can understand how it folds in on itself like a giant piece of mahogany origami. By Donald C. Williams; Photographs by Narayan Nayar\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815257227539,"sku":"B-0990623045","price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-0990623045.jpg?v=1702617572"},{"product_id":"the-anarchists-design-book","title":"Book -  \"The Anarchists Design Book\" by Christopher Schwarz","description":"\u003cp\u003eMost of the American furniture we celebrate as the pinnacle of design is overbearing, over-embellished and a monument to waste and excess.\n\u003cbr\u003eThese high styles of furniture took hold in North America in the 18th century and persist to this day as both cult objects for collectors and as rites of passage for artisans. These are precious pieces that are auctioned, collected, reproduced and written about in exhaustive detail.\n\u003cbr\u003eOr, to put it a slightly different way, the people who could afford this furniture also owned mega-farms, factories and (sometimes) entire towns. This is not a knock on their wealth. But it is a simple way of asking a question that rarely gets asked among amateur makers: Why would you want to imitate the taste of your boss’s boss’s boss?\n\u003cbr\u003eThe new, expanded edition of “The Anarchist’s Design Book” is an exploration of furniture forms that have persisted outside of the high styles that dominate every museum exhibit, scholarly text and woodworking magazine of the last 200 years.\n\u003cbr\u003eThere are historic furniture forms out there that have been around for almost 1,000 years that don’t get written about much. They are simple to make. They have clean lines. And they can be shockingly modern.\n\u003cbr\u003eThis book explores 18 of these forms  – a bed, dining tables, chairs, chests, desks, shelving, stools – and offers a deep exploration into the two construction techniques used to make these pieces that have been forgotten, neglected or rejected.\n\u003cbr\u003eYou can build an entire houseful of furniture using these two methods – what we call “staked” and ”boarded” furniture. They are shockingly simple for the beginner. They don’t require a lot of tools. And they produce objects that have endured centuries of hard use.\n\u003cbr\u003eBut this isn’t really a book of plans. “The Anarchist’s Design Book” shows you the overarching patterns behind these 18 pieces. It gives you the road map for designing your own pieces. (Which is what we did before we had plans.)\n\u003cbr\u003eThe new expanded edition of “The Anarchist’s Design Book” has 656 pages (200 more than the first edition) that are sewn for long-term durability. The book is 8\" x 10\", casebound and sheathed in thick hardback boards that are covered in cotton cloth. This is the largest book Lost Art Press has published to date.\n\u003cbr\u003eLike all Lost Art Press books, “The Anarchist’s Design Book” is produced and printed entirely in the United States.\n\u003cbr\u003eCurious about what we mean by \"anarchism?\" Read this short FAQ. It's probably not what you think.By Christopher Schwarz\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815257260307,"sku":"B-0990623076","price":104.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-0990623076.jpg?v=1705990682"},{"product_id":"by-hound-and-eye-a-plain-and-easy-guide-g-walker-and-j-tolpin","title":"Book - \"By Hound \u0026amp; Eye\" By Geo. R Walker \u0026amp; Jim Tolpin","description":"\u003cp\u003eAnother book by George R. Walker \u0026amp; Jim Tolpin, By Hound \u0026amp; Eye is a 192 page guide to designing furniture with little trouble and another book that should have a place within the bookcase of those who are after the techniques used in furniture making for centuries. A step by step process of unravelling points, segments, arcs and 3D using nothing more than a compass, straightedge and a pencil. Anyone who wants to product fine furniture or understand the design principles should have this apart of their library. A companion book to \"By Hand \u0026amp; Eye\".\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815257293075,"sku":"B-0990623052","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-0990623052.jpg?v=1702617573"},{"product_id":"information-on-stanley-catalogue-no-34","title":"Book - Stanley Catalogue No. 34","description":"\u003cp\u003eA good way to understand hand tools, is to look at what was available before the advent of power tools, to see what craftsmen had available to them 100 years ago. If you’re getting into hand tools, this is a must.This book \"Information on Stanley, Catalogue No. 34\" is just that, these are the tools that our forefathers had to use. With them, many amazing creations were crafted. Their processes were vastly different than they are now with the current range of tools available.When a manufacturer now creates a new hand tool, they often refer to publications like this, and even the real article if it is available. After all, why reinvent what has proven to work in the past? This book has detailed pictures of each tool, exploded diagrams, materials used and a good description explaining the use of each tool. For the tool collector, this is possibly one of the best guides to use as a reference. The catalogue is based on tools available in 1914, what we are looking at is pretty much as it was when it was printed in the early 20th century, only the printing process has changed, and the paper quality has improved.\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815257587987,"sku":"B-0997870206","price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-0997870206.jpg?v=1705990691"},{"product_id":"slojd-in-wood","title":"Book - Slojd In Wood by Jogge Sundgvist","description":"\u003cp\u003eBy Jögge SundqvistWe’d like you to visit the world of slöjd, a place where people make the things they need using simple tools and materials that are all around them.\n\u003cbr\u003eYour guide on this journey is Jögge Sundqvist, who has been making things with his hands and little bits of steel since he was a boy. To join in, you need only a knife and a few other simple tools to make useful and beautiful objects.\n\u003cbr\u003e“Slöjd in Wood” begins with making a butter knife – a useful object that requires just a knife, boiling water and paint to make it – that will begin to unlock the world of slöjd for you.\n\u003cbr\u003eYou will then learn to make bowls, a sheath for your knife, spoons, a place to hang your clothes, cutting boards and so many more things. In the end, you will look up into the branches of the trees around your home and see the things you need.\n\u003cbr\u003e“Slöjd in Wood” is the first English translation of Jögge’s classic Swedish book. It’s a gorgeous peek into a work that is dominated by saturated colors, crisp bevels and handmade work.\n\u003cbr\u003eIn addition to introducing you to the pieces you can make for your home, Jögge shows you how to grip the knife to produce the cuts shown in the book safely and efficiently. And shows you how to replicate the deep colors on your pieces that are positively mesmerizing.\n\u003cbr\u003eThe Lost Art Press edition of this book has been two years in the making, involving translators on two continents, plus additional drawings and text that help explain the work to an audience that is unfamiliar with the concepts of slöjd.\n\u003cbr\u003eWe have sought to reproduce the Swedish edition of this book in every way possible, from the paper’s opacity to the binding and the endsheets. In short, this is a high-quality book that is designed to last for generations.\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815257948435,"sku":"B-0997870282","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-0997870282.jpg?v=1702617587"},{"product_id":"cut-and-dried-a-woodworker-s-guide-to-timber-technology","title":"Book - Cut \u0026 Dried: A Woodworker’s Guide to Timber Technology by Richard Jones","description":"\u003cp\u003eSerious woodworkers have long been starved of accurate information on wood technology that's explained in language for artisans – instead of for scientists.\n\u003cbr\u003eAuthor Richard Jones has spent his entire life as a professional woodworker and has dedicated himself to researching the technical details of wood in great depth, this material being the woodworker's most important resource. The result is \"Cut \u0026amp; Dried: A Woodworker's Guide to Timber Technology.\" In this book, Richard explores every aspect of the tree and its wood, from how it grows to how it is then cut, dried and delivered to your workshop.\n\u003cbr\u003eRichard explores many of the things that can go right or wrong in the delicate process of felling trees, converting them into boards, and drying those boards ready to make fine furniture and other wooden structures. He helps you identify problems you might be having with your lumber and – when possible – the ways to fix the problem or avoid it in the future.\n\u003cbr\u003e\"Cut \u0026amp; Dried\" is a massive text that covers the big picture (is forestry good?) and the tiniest details (what is that fungus attacking my stock?). And Richard offers precise descriptions throughout that demanding woodworkers need to know in order to do demanding work.\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815257981203,"sku":"B-0997870299","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-0997870299_1.jpg?v=1705990710"},{"product_id":"welsh-stick-chairs-john-brown","title":"Book - Welsh Stick Chairs by John Brown","description":"\u003cp\u003e\"Welsh Stick Chairs\" by John Brown is a small but mighty book. At 104 pages long, this book can be read in an afternoon, but it has changed the lives of thousands of woodworkers all over the globe.\n\u003cbr\u003eJohn Brown (1933-2008) was a chairmaker in Wales who specialized in Welsh stick chairs, a vernacular form of furniture that was typically made by the end users. Compared to Windsor chairs, Welsh stick chairs are masculine, lively and even sometimes a bit aggressive.\n\u003cbr\u003eThey are built with simple hand tools and (when made properly) are designed to last for hundreds of years.\n\u003cbr\u003eJohn Brown made hundreds of these chairs, and in 1990 he published a small book that explained how he made the chairs, plus some history of chairmaking in Wales and a critique of the Windsor chairs they were sometimes confused with.\n\u003cbr\u003eThe book electrified woodworkers everywhere. Even those who weren't chairmakers were fascinated by John Brown's approach to the craft. His disdain for measured drawings. And his honest and forthright writing style.\n\u003cbr\u003e\"Welsh Stick Chairs\" has been out of print for some time. But thanks to the efforts of Matty Sears, one of John Brown's sons, and the rest of the heirs, we are pleased to present a beautiful and well-made edition of this important work.\n\u003cbr\u003eUsing first-edition examples of \"Welsh Stick Chairs,\" we reset the entire book in the original font to ensure the text was crisp. We rescanned and processed the photos and drawings and cleaned them up. And we spent weeks researching the paper stock of the original in order to capture the same earthiness and perfection of the first edition.\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815258013971,"sku":"B-1732210011","price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-1732210011-1.jpg?v=1705990712"},{"product_id":"james-krenov-leave-fingerprints-brendan-gaffney","title":"James Krenov - Leave Fingerprints by Brendan Bernhardt Gaffney","description":"\u003cp\u003eJames Krenov (1920-2009) was one of the most influential woodworking writers, instructors and designers of the 20th century. His best-selling books – starting with “A Cabinetmaker’s Notebook” – inspired tens of thousands of people to pick up the tools and build things to the highest standard.Yet, little is known about his life, except for a few details mentioned in his books.After years of research and more than 150 interviews, Brendan Bernhardt Gaffney has produced the first and definitive biography of Krenov, featuring historical documents, press clippings and hundreds of historical photographs. Gaffney traces Krenov’s life from his birth in a small village in far-flung Russia, to China, Seattle, Alaska, Sweden and finally to Northern California where he founded the College of the Redwoods Fine Woodworking Program (now The Krenov School).“James Krenov: Leave Fingerprints” brims with the details of Krenov’s life that, until now, were known only to close friends and family. The book begins by examining the noble origins of Krenov’s mother in Russia, and her flight into the wilderness during the country’s revolution. After Krenov is born among the Chukchi at a trade outpost, the Krenovs flee to Shanghai and then the United States. After time in Alaska and Seattle, Krenov heads to Sweden where he works in a factory and tries to get his writing published.While in his 30s, he attends Carl Malmsten’s school and transforms – in just a few short years – into an accomplished woodworker with a national reputation. He then attracts international recognition for his attention to grain, his love of joinery and his sensitive approach to the craft.Eventually Krenov’s words came to America, he publishes “A Cabinetmaker’s Notebook” and the woodworking world has never been the same. After the establishment of the College of the Redwoods program in Fort Bragg, California, the word “Krenovian” enters the lexicon of design to describe his type of work and the work of the students that carried on their teacher’s methods.Though Krenov is revered by readers and many students, he was also known for his irascible nature and pointed criticism. Gaffney’s book takes pains to paint a fully realized portrait of Krenov, neither a hagiography nor a hatchet job. Interviews, letters, press clippings and archival photographs present a man who did not compromise in his work. And that lack of compromise created both great works and personal difficulties.In addition to biographical details, Gaffney’s book presents a gallery of Krenov’s work from his very early pieces all the way up to the last cabinet he built. Many of these pieces have never been published, and they illustrate how Krenov continued to grow as a designer even after he stopped writing books.Whether you are a furniture maker, a designer or a student of craft history, “James Krenov: Leave Fingerprints” will deepen your understanding of and appreciation for a man who single handedly changed the course of woodworking.\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815258407187,"sku":"B-1733391672","price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-1733391672.jpg?v=1705990729"},{"product_id":"make-a-chair-from-a-tree-jennie-alexander","title":"Book - Make a Chair from a Tree: Third Edition","description":"\u003cp\u003eIn 2014, Jennie Alexander somewhat reluctantly agreed to a third edition of her 1978 seminal book on green woodworking, “Make a Chair From a Tree” – a book that launched the careers of thousands of woodworkers and helped ignite a green woodworking movement in this country.\n\u003cbr\u003eHer reluctance wasn’t due to a lack of passion for the book’s subject – the simple but gorgeous object that we now call a Jennie Chair had been an obsession of hers for decades. She simply didn’t know if she was physically and mentally up to the task of essentially starting from scratch on a new book – she had learned so much since the first two editions were published that this is an almost entirely new book.\n\u003cbr\u003eThus, \"Make a Chair From a Tree: Third Edition\" is the culmination of a lifetime's work on post-and-rung chairs, covering in detail every step of the green-wood chairmaking process – from splitting and riving parts to making graceful cuts with a drawknife and spokeshave, to brace-and-bit boring for the solid joinery, to hickory-bark seat weaving.\n\u003cbr\u003eWith the help of Larry Barrett, one of her devoted students, she worked on this new version of the book until just weeks before her 2018 death. Larry polished Jennie's final manuscript, then built a chair in Jennie's shop using her techniques and tools as we took many of the photographs for this book. Nathaniel Krause (another of Jennie’s devoted students), wove the hickory seat for this book. Longtime friend and collaborator Peter Follansbee helped to edit the text into the intensely technical (but easy to understand) and personal (but not maudlin) words that ended up in this third edition.We know Jennie would be delighted by the contributions from the people she taught and who, in turn, inspired her. (Though we also suspect she'd say we should just start rewriting the book at the beginning…. again.)By Jennie Alexander\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815258505491,"sku":"B-1954697027","price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-1954697027-1.jpg?v=1705990732"},{"product_id":"the-stick-chair-book-christopher-schwarz","title":"Book - The Stick Chair Book","description":"\u003cp\u003eMost woodworkers think it would be easier to grow a third arm than to build a chair.\n\u003cbr\u003eFrom the outside, it seems like you need to harvest special wood from the forest, buy a bunch of exotic tools, master a lot of crazy angles, and learn high-tolerance joinery to make a chair that is comfortable, strong and approaches sculpture.\n\u003cbr\u003eThe truth is that everyday woodworkers – farmers, amateurs and people in other trades – made wonderful chairs using a handful of common woodworking tools and whatever wood was available: dry, wet, soft, hard or the branches pulled from a tree.\n\u003cbr\u003e“The Stick Chair Book” explores the craft of these “hedge carpenters” or dabblers who built chairs for the everyday home. The chairs they made weren’t designed to impress the neighbors – they were designed to be comfortable, stout and (if you have a good eye) nice to look at.\n\u003cbr\u003eAfter 18 years of building vernacular stick chairs and studying historical examples in the U.K., Europe and North America, author Christopher Schwarz has figured out how anyone can design and build these chairs without a lot of gear.\n\u003cbr\u003eHere are the things you don’t need to build a stick chair: a shavehorse, drawknife, steambox, green wood, axe or even a passing knowledge of geometry.\n\u003cbr\u003eInstead, most of the work is done with saws (a band saw speeds things up), a drill or brace, a jack plane and maybe a couple specialty tools if you want to saddle the chair’s seat. You can use any kind of wood, even stuff from the home center.\n\u003cbr\u003e“The Stick Chair Book” is divided into three sections. The first section, “Thinking About Chairs,” introduces you to the world of common stick chairs, plus the tools and wood to build them.\n\u003cbr\u003eThe second section – “Chairmaking Techniques” – covers every process involved in making a chair, from cutting stout legs, to making curved arms with straight wood, to carving the seat. Plus, you’ll get a taste for the wide variety of shapes you can use. The chapter on seats shows you how to lay out 14 different seat shapes. The chapter on legs has 16 common forms that can be made with only a couple handplanes. Add those to the 11 different arm shapes, six arm-joinery options, 14 shapes for hands, seven stretcher shapes and 11 combs, and you could make stick chairs your entire life without ever making the same one twice.\n\u003cbr\u003eThe final section offers detailed plans for five stick chairs, from a basic Irish armchair to a dramatic Scottish comb-back. These five chair designs are a great jumping-off point for making stick chairs of your own design.\n\u003cbr\u003eAdditional chapters in the book cover chair comfort, finishing, sharpening the tools and answering the most common questions asked by new chairmakers.By Christopher Schwarz\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815258669331,"sku":"B-1954697034","price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-1954697034-1.jpg?v=1705990733"},{"product_id":"shop-tails-nancy-hiller","title":"Book - Shop Tails: The Animals Who Help Us Make Things Work","description":"\u003cp\u003eIn this singular collection of essays, Nancy Hiller relates the ways in which non-human animals – some companions, others wild or raised on farms – have provided warmth and comfort, prompted laughter and offered examples of courage or composure in the face of distressing events.\n\u003cbr\u003e“Shop Tails” is a loving tribute to the animals whose lives have been intertwined with Hiller’s own and taught her lessons about relationships, loyalty, illness, joy, death and (also important) pudding. It is also an unflinching look back at old wounds that have played their own part in making Hiller the person she is; she documents her efforts to prove her worth to others, as well as herself, in the workshop and beyond. In doing so, she discovers the empowerment that can come from honoring the life you’ve made in response to the hand you’ve been dealt. Every one of us will at some point experience challenges that feel insurmountable. We can only exert so much control over circumstances and events, but more often than not, we have the capacity to decide how we will respond.\n\u003cbr\u003eHer 21 essays within will make you laugh. They will make you angry. They will inspire you to create something beautiful (a piece of furniture, a garden, a better relationship, a home). They will break your heart. And they will stay with you.\n\u003cbr\u003eBy Nancy R. Hiller\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815258767635,"sku":"B-1954697041","price":31.8,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-1954697041-1.jpg?v=1705990738"},{"product_id":"the-workbench-book","title":"Book - The Workbench Book","description":"\u003cp\u003eBy Scott Landis\n\u003cbr\u003eFirst published in 1987, \"The Workbench Book\" by Scott Landis remains the most complete book on the most important tool in the woodworker’s shop.\n\u003cbr\u003e\"The Workbench Book\" is a richly illustrated guided tour of the world’s best workbenches — from a traditional Shaker bench to the mass-produced Workmate. Author and workbench builder Scott Landis visited dozens of craftsmen, observing them at work and listening to what they had to say about their benches. The result is an intriguing and illuminating account of each bench’s strengths and weaknesses, within the context of a vibrant woodworking tradition.\n\u003cbr\u003eThe workbench is the heart of the workshop. Like the foundation of a house, a bench must be built with care because it reflects and supports all the work that takes place on top. Probably more than any other tool in the shop, the custom workbench reflects the personality and experience of its maker. For those woodworkers who want to undertake building their own bench, \"The Workbench Book\" offers valuable advice on design, construction and special features such as vise options.\n\u003cbr\u003eThis fully illustrated guide features more than 275 photos of beautifully crafted workbenches as well as complete plans for four benches. \"The Workbench Book\" explores benches from around the world, from every historical era and for all of the common (and esoteric) woodworking specialties.This new 248-page hardbound edition from Lost Art Press ensures \"The Workbench Book\" will be available to future generations of woodworkers. Produced and printed in the United States, this classic text is printed on FSC-certified recycled paper and features a durable sewn binding designed to last generations. The 1987 text remains the same in this edition and includes a foreword by Christopher Schwarz.\n\u003cbr\u003eAbout the Author\n\u003cbr\u003eScott Landis built his first workbench in the early 1970s in a friend’s shop in Maine, where he discovered many of the essential tools and techniques of woodworking. Since then, he has been a professional benchmaker, log house builder, and freelance writer, chronicling the disappearing traditional occupations of the North. He returned to woodworking as the author of The Workbench Book (1987) and The Workshop Book (1991), first published by Taunton Press. Scott went on to write numerous essays and articles about woodworking and wood use, and their intersection with responsible forest management. He founded the nonprofit Woodworkers Alliance for Rainforest Protection (WARP) and organized the traveling exhibition Conservation by Design, launched in collaboration with the Rhode Island School of Design.A WARP field project in Honduras eventually led to his establishment of GreenWood, which was recognized in 2014 with the first-ever Innovation Prize awarded by the Yale School of Forestry and Environmental Studies. GreenWood continues to employ appropriate woodworking technologies and creative niche marketing in support of sustainable forest management and economic development. The organization has trained artisan woodworkers in the Peruvian Amazon and works extensively in Honduras and Puerto Rico. Scott now lives in coastal Maine, where his woodworking and workbench career began.\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815260733715,"sku":"B-9781733391689","price":89.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-9781733391689.jpg?v=1705990804"},{"product_id":"woodworker-s-pocket-book","title":"Book - The Woodworkers Pocket Book","description":"\u003cp\u003eEdited by Charles H. Hayward\n\u003cbr\u003e“The Woodworker’s Pocket Book” is small – just 4” x 6-1\/2” – but it contains 112 pages of critical woodworking information for the hand-tool woodworker.\n\u003cbr\u003eEdited by the great Charles H. Hayward and published in 1949, “The Woodworker’s Pocket Book” is a guide to everything from finishing recipes to drawing ellipses to choosing the correct screw or nail.\n\u003cbr\u003eWe own several versions of this book, as it was regularly updated and republished. After reading through all of the versions, we decided to reprint the original edition (with permission, of course). This edition is packed with drawings from Hayward and doesn’t deal much with the metric system, sharpening high-speed steel sawblades or pulley sizes for your machines. In other words, it’s for the woodworker who likes working by hand using fractions, inches and feet.\n\u003cbr\u003eAlso appealing to us is the small size of the book – it literally fits in your back pocket. We recommend keeping it in your tool chest or tool cabinet. It belongs in the shop and is more like a tool than a book.\n\u003cbr\u003eTo ensure the book’s long life, we made sure this book is designed for a shop environment. All our books’ signatures are sewn and taped for durability. We wrapped this one in high-density boards and picked a durable paper that improves on the original’s paper.\n\u003cbr\u003eLike all our books, “The Woodworker’s Pocket Book” is printed in the United States.\n\u003cbr\u003eHere is the complete index to “The Woodworker’s Pocket Book.”\n\u003cbr\u003eAngles, bisecting, 16Appliances, 84Arches, 21Areas, 23Beetle. wood boring, 63Bits, 80Bleaches, 3Bolts, 34Boring tools, 80Castors, 37Chemicals, list of, 7Chippendale mouldings, 94Chisels, 78Cramps, 83Creams, furniture, 5Dry rot, 64Ellipse, drawing, 12, 14Equivalents, mm. and inches, 51Fibre boards, 87Files, 77Fillers, wood, 4Fittings, 34French polish recipes, 1Furniture creams, 5Furniture sizes, 65Gauges, 79Geometry, useful, 12Glass, 87Glues, 38Hammers, 78Hardwoods, 57Hepplewhite mouldings, 96Hexagon, drawing, 15Hinges, 35, 36Institutions, wood technology, 42Jacobean mouldings 92Joints, 102Laminated board, 50Lathe data, 89Limed oak, 5Locks, 34Lubricants, 6Metal fittings, 34Mitres, 24Moisture content, 11Monarchs, English and French, 91Mouldings, 92Nails, 28Octagon, drawing, 16, 17Oilstones, cleaning, 6Old woodwork, 100Period furniture, 90Pests, wood, 63Pitches, plane, 86Plane pitches, 86Planes, 71Plastic boards, 87Plywood and laminated board, 50Polishes, etc., 1Quatrefoil, drawing, 21Recipes, non-slip, 5Recipes, wood finishing, 1Revivers, polish, 4Routers, 77Saws, 68Scales, 108Screwdrivers, 82Screws, 31Sharpening data, tool, 85Sheraton mouldings, 98Sizes of furniture, 65Softwoods, 56Spokeshaves, 77Squares, 79Stains, 2Stays, 37Stoppings, 6Strippers, 4Strop dressings, tool, 5Tables, 41Terms, timber, 46Timber, how measured, 43Timber terms, 46Timbers, list of, 56Timbers, world map, 54Tool sharpening data, 85Tool strop dressings, 5Tools, 68Trefoil, drawing, 22Walnut mouldings, 93Wax polish recipes, IWood fillers, 4Wood pests, 63Woodwork, old, 100Worm, wood, 63Veneers, 52\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815260766483,"sku":"B-9781733391696","price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-9781733391696.jpg?v=1705990809"},{"product_id":"euclid-s-door-by-geo-r-walker-and-jim-tolpin","title":"Book - \"Euclid's Door: Building the Tools of ‘By Hand \u0026 Eye’\" By George R. Walker \u0026 Jim Tolpin","description":"\u003cp\u003e“Euclid's Door: Building the Tools of ‘By Hand \u0026amp; Eye’” is an illustrated how-to journey through building the ancient tools that still help us to build, well, everything today. \n\u003cbr\u003eYou’ll learn how to use basic, easy-to-follow artisan geometry to make eight indispensable wooden layout tools – tools found in every cabinetmaker’s tool chest – that you can then use to build furniture (or houses). Plus, you'll learn how to tune them up to an incredibly high level – techniques you can use in all your work. \n\u003cbr\u003eYou’ll discover the truths of geometry in three dimensions on your workbench – a much better way to grasp the secrets of our craft than words alone can convey. The process of making these tools results in much more than the tools themselves (which are in themselves quite amazing). The tools are teachers that take you on a journey into the secrets of artisan geometry. They develop skills important to the craft. These builds equip both the imagination and the hands. \n\u003cbr\u003eThe cloth-covered hardbound 115-page book has a sewn and glued binding for durability. Like all our products, \"Euclid's Door\" is printed in the United States.\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815261290771,"sku":"B-9781954697089","price":64.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-9781954697089_1.jpg?v=1705990831"},{"product_id":"sharpen-this-by-christopher-schwarz","title":"Book - \"Sharpen This\" By Christopher Schwarz","description":"\u003cp\u003eSharpening is not a sport.\n\u003cbr\u003eIf you want to be a better woodworker, you need to learn to sharpen. If you want to be a better sharpener, you need to stop paying so much attention to tertiary bevels and carbide formations in steel and start paying attention to the wood. If the wood is cut cleanly, then your tools are sufficiently sharp. If the wood is torn out and covered in tiny scratches, then you need to sharpen up your tools.\n\u003cbr\u003eAnd then keep sharpening your tools until you get the desired results.\n\u003cbr\u003e\"Sharpen This\" is a 120-page pocket book on how to get great edges, regardless of the sharpening system you choose. It is about what is important: Creating a sharp edge quickly with a minimum amount of equipment.\n\u003cbr\u003eIt is not a book about becoming a sharpening expert. It is instead about becoming an expert at sharpening.\n\u003cbr\u003eIt can be tough to stay on this practical path. Every woodworking catalog and discussion forum is packed with new equipment and ideas to create better edges. It’s tempting, especially as a beginner, to try some of the interesting sharpening approaches that float around the internet. Or to sample some exotic new diamond-impregnated paper. What can it hurt? And what if it helps?\n\u003cbr\u003e\"Sharpen This\" is an attempt to help woodworkers stay grounded. To think about want you want to leave behind when you're gone. Is it a chest filled with immaculately cared-for tools and a few nice pieces of furniture?\n\u003cbr\u003eOr do you want to leave behind hundreds of pieces of furniture that demonstrate – through an iterative process – that you grew in the ability to harness beauty and bring it into this world? (Plus, a chest of tools that are in serviceable shape.)\n\u003cbr\u003e\"Sharpen This\" covers the entire life cycle of an edge tool, from setting up a new tool, to repairing chipped edges, grinding, honing and polishing. It helps you decode the confusing world of sharpening media by focusing on particle size (in microns) instead of commercial jabber-jock.\n\u003cbr\u003eAnd, most importantly, it helps you get back to work at the bench as quickly as possible. Because the process of making tools dull is far more enjoyable than making tools sharp.\n\u003cbr\u003e\"Sharpen This\" is a pocket-sized book, (4\" x 6-1\/2\") that is printed on heavy, #80 coated paper. The book is assembled using printed signatures that are sewn together with thread, then glued and reinforced with fiber tape. Then the pages are wrapped in heavy cloth-covered boards. This is a permanent book. Like all Lost Art Press books, \"Sharpen This\" is produced and printed entirely in the United States.\u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":47815261356307,"sku":"B-9781954697119","price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-9781954697119_1.jpg?v=1705990832"},{"product_id":"the-belligerent-finisher-by-john-porritt","title":"The Belligerent Finisher by John Porritt","description":"","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":52381119709459,"sku":"B-9781954697096","price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/The_Belligerent_Finisher_01.png?v=1758690194"},{"product_id":"karvsnitt-by-jogge-sundqvist","title":"Karvsnitt by Jogge Sundqvist","description":"","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":52381119873299,"sku":"B-9781954697140","price":74.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/Karvsnitt_01.png?v=1758775505"},{"product_id":"cricket-tables-by-derek-jones","title":"Cricket Tables by Derek Jones","description":"","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":52381119906067,"sku":"B-9781954697164","price":62.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-9781954697164.png?v=1758694729"},{"product_id":"book-backwoods-chairmakers-in-search-of-the-appalachian-ladderback-chairmaker-by-andrew-d-glenn","title":"Book - Backwoods Chairmakers: In Search of the Appalachian Ladderback Chairmaker by Andrew D. Glenn","description":"","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":52381119938835,"sku":"B-9781954697171","price":89.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-9781954697171_1.jpg?v=1758587130"},{"product_id":"good-eye-by-lost-art-press","title":"Good Eye by Lost Art Press","description":"\u003ch3 data-start=\"141\" data-end=\"206\"\u003eGood Eye - \u003cem data-start=\"156\" data-end=\"189\"\u003eBy Jim Tolpin and George Walker\u003c\/em\u003e\u003cbr data-start=\"189\" data-end=\"192\"\u003eLost Art Press\u003c\/h3\u003e\n\u003cp data-start=\"208\" data-end=\"537\"\u003e\u003cem data-start=\"208\" data-end=\"218\"\u003eGood Eye\u003c\/em\u003e is the fifth title in Jim Tolpin and George Walker’s acclaimed artisan geometry series, exploring furniture design through proportion, structure and visual harmony. This volume takes a deeper and more practical look at how simple geometric systems underpin successful furniture across styles, periods and cultures.\u003c\/p\u003e\n\u003cp data-start=\"539\" data-end=\"900\"\u003eRather than focusing on surface aesthetics, the authors reveal the proportional frameworks that give furniture its lasting visual strength. By analysing iconic historical pieces, they demonstrate how a small set of geometric relationships can be used not only to understand existing designs, but to generate entirely new ones that feel balanced and intentional.\u003c\/p\u003e\n\u003cp data-start=\"902\" data-end=\"1190\"\u003eThe book begins by teaching readers how to identify the simple shapes within a piece of furniture, then extract the underlying module that governs its proportions. That module can then be used to scale rails, stiles, drawers, mouldings and negative space in a consistent and coherent way.\u003c\/p\u003e\n\u003cp data-start=\"1192\" data-end=\"1582\"\u003eInstruction is delivered through clear examples rather than theory alone. A 17th-century chest is used to introduce the core system, with detailed line drawings explaining how proportions govern its overall form and individual components. The same system is then applied to designing a contemporary hi-fi cabinet, demonstrating how traditional geometry adapts naturally to modern furniture.\u003c\/p\u003e\n\u003cp data-start=\"1584\" data-end=\"1876\"\u003eAs the book progresses, readers explore asymmetry through Asian furniture, secondary modules through a Shaker sewing table, and refinement as a method for improving existing designs. Later chapters address ornamentation and curves, showing how geometry informs even the most organic elements.\u003c\/p\u003e\n\u003cp data-start=\"1878\" data-end=\"2067\"\u003eThroughout, complex ideas are supported by hundreds of clear black-and-white line drawings that make each concept accessible to both experienced designers and those new to furniture design.\u003c\/p\u003e\n\u003cp data-start=\"2074\" data-end=\"2094\"\u003e\u003cstrong data-start=\"2078\" data-end=\"2094\"\u003eBook Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"2098\" data-end=\"2107\"\u003eHardcover\u003c\/li\u003e\n\u003cli data-start=\"2110\" data-end=\"2119\"\u003e120 pages\u003c\/li\u003e\n\u003cli data-start=\"2122\" data-end=\"2138\"\u003eSize: 8.5\" x 11\"\u003c\/li\u003e\n\u003cli data-start=\"2141\" data-end=\"2196\"\u003eBlack and white interior with hundreds of line drawings\u003c\/li\u003e\n\u003cli data-start=\"2199\" data-end=\"2227\"\u003ePrinted on #60 natural paper\u003c\/li\u003e\n\u003cli data-start=\"2230\" data-end=\"2269\"\u003eSewn signatures with reinforced binding\u003c\/li\u003e\n\u003cli data-start=\"2272\" data-end=\"2317\"\u003eCloth-bound hardcover with foil-stamped cover\u003c\/li\u003e\n\u003cli data-start=\"2320\" data-end=\"2348\"\u003ePrinted and bound in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eContents\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSection I\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Things We Can’t Unsee\u003c\/p\u003e\n\u003cp\u003e2. Form, Define, Refine\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSection II\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3. Hidden in Plain Sight\u003c\/p\u003e\n\u003cp\u003e4. To Stand or Recline\u003c\/p\u003e\n\u003cp\u003e5. Different But the Same\u003c\/p\u003e\n\u003cp\u003e6. Modules Upon Modules\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSection III\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e7. Refine the Refinements\u003c\/p\u003e\n\u003cp\u003e8. Organic Growth\u003c\/p\u003e\n\u003cp\u003e9. Origins of Ornamentation\u003c\/p\u003e\n\u003cp\u003e10. Playing with Curve\u003c\/p\u003e\n\u003cp data-start=\"2689\" data-end=\"2899\"\u003eBuilt to the same high production standards as all Lost Art Press titles, \u003cem data-start=\"2763\" data-end=\"2773\"\u003eGood Eye\u003c\/em\u003e is designed for long-term use in the workshop or studio and will reward repeated reading over a lifetime of furniture making.\u003c\/p\u003e\n\u003cp data-start=\"2901\" data-end=\"3022\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e \u003c\/p\u003e","brand":"LOST ART PRESS","offers":[{"title":"Default Title","offer_id":53508745888019,"sku":"B-9781954698232","price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0753\/2727\/5283\/files\/B-9781954698232.webp?v=1770187013"}],"url":"https:\/\/mycarbateflash.com\/collections\/lost-art-press.oembed","provider":"Carbatec","version":"1.0","type":"link"}